16x Filter Factor, 4 StopDarkens Entire ImageAllows Reduced Shutter SpeedAllows Wider ApertureNeutral Results, Visible, & IR SpectrumsACCU-ND Vapor Deposition CoatingsOptical Glass Construction95mm Front Filter ThreadsPadded Pouch
1920 x 1200 Touchscreen Display10-Bit Exterior Viewable Monitor4K HDMI Input1000 cd/m² BrightnessAtomHDR Mode with 10-Stop Dynamic Range10-Bit 4:2:2 ProRes & DNxHR EncodingRecords to Mini SSDsSupports a Variety of Log FormatsSingle Sony L-Series Battery Slot
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Digital HT™ Polarizing FiltersPolarizers provide color and contrast enhancement. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
The infrared filter blocks visible light entering the lens, allowing only infrared light to pass through, creating familiar yet strange images.The infrared-captured world, beyond the visible spectrum, is surreal, serene and full of contrasts.
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Close-up filters such as the Close-up Set II consists of 3 filters that can turn most lenses into a macro style lens. The +1, +2, and +4 filters allow you to move the camera closer to the subject to achieve that magnification or close-up look associated with dedicated macro lenses. They attach to the front of the lens using the filter threads which makes
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Delivered with:1x Grid / Grid This grid for softbox makes it possible to better control the light. It is positioned on any softbox of adequate size thanks to a velcro. Attention, the softbox must also be equipped with a velcro to receive the grid.
Case Relay Camera Power System (CPS) lets you power your camera continually with an external battery pack or wall power, providing peace of mind knowing you have an uninterrupted power source for your camera. Requires Relay Camera Coupler sold separately.
Material: Carbon Twist lock Height : 180cm Height max. (with column): 210 cmHeight min.: 40 cmLenght closed: 68 cm Weight: 2.6 kgCapacity: 20 kgNumber of sections: 4Tripod series: 4Head monting: screw 3/8 "
Suitable for microphone arm 23850 and 23860.
Pince micro flexiblePour micros de diamètre de 30 à 40 mmAdaptateur pas de vis 3/8" - 5/8"
Suitable for Different Model Tablets0 to 90° Angle of InclinationTablet Attaches and Detaches QuicklySwitches Between Portrait & Landscape
Pack 3 pcsCompact and lightweight foot that can support a load of up to 5 kg (11 lb)Feet connect to each other for easy transportThe compressed air damping system protects the fingers and the mounted equipment.Spigot with 3/8 "and 1 / 4-20" removable threadLarge footprint 109cm (43 in) for high stability
Compact and lightweight foot that can support a load of up to 5 kg (11 lb)Feet connect to each other for easy transportThe compressed air damping system protects the fingers and the mounted equipment.Spigot with 3/8 "and 1 / 4-20" removable threadLarge footprint 109cm (43 in) for high stability
Ball Diameter?44mmPan Base Diameter?58mmHeight?86mmNet Weight?498gMax Load:60kgBottom Thread?UNC3/8"Clamp Type?Panning Clamp
For AD200 Pocket FlashSlides Easily into PlaceContinuous Light from 60 LEDsOutput: 3.6W
Max load: 5 kgPlate Quick Release (QR): Compatible type Arca, PU70 includedSize: 145 * 139 * 245mmWeight: 0,87 kg
Material: Carbon FiberMaximum Load: 25 kgQuick Release (QR) Plate: Arca-type compatible, PL100 includedSize: 255 * 100 * 245mmWeight: 1.08kg
EE Filters colourMAGIC – Saturates PackSheet Sizes – 0.3m x 0.25m (12? x 10?) Filter Numbers Included: 181 / 126 / 120 / 116 / 139 / 101 / 105 / 135 / 182 / 027 / 332 / 129 A selection of strong and vibrant colours for more intense colour combinations. 1 x sheet of each colour.
Recommandé pour la macro photographie et toute autre photographie en plan rapproché.
The Phottix Varos Pro Mini Flash Umbrella Mount is Phottix's newest budget-level entry in the ever-popular Varos series. The Varos Pro Mini offers patented features and smaller footprint design. The Aluminum alloy body with metal flash coldshoe is perfect on-location or in the studio. Umbrellas provide soft light, great for portraits or special effect. The
Flash annulaire portable de 400W Godox EXR400.Attention, il sera livré SANS BATTERIELe matériel est totalement neuf.
400Ws, 5600K Color Temperature0.3 - 1.5 Sec RecyclingFlash Duration: 1/800 to 1/2000 SecOptional Xpro, X1, FT-16, XT16 Transmitters1/32 to 1/1 Power Range150W Modeling LampAnti-Pre-flash FunctionUmbrella Input and Stand Mount
1 x ShoulderPod P2 short mounting plate2 x Knob K11 x Cold Shoe Z1
The Shoulderpod W1 Wrist Strap is designed to provide added security while using the Shoulderpod H1 Handle as part of your smartphone video rig. The W1 strap has a hole that fits over the 1/4"-20 threaded stud of the H1 Handle, which is then sandwiched in between either your 1/4"-20 threaded device, such as a digital camera, or a Shoulderpod accessory, such
Fits DSLR with 80-200mm Lens and HoodProtects DSLR from Rain, Dust, MudAttaches with Touch-Fastening FabricUse Handheld or on a TripodIncludes Belt Storage Pack Dimensions: 14" (356mm) long
Déclencheur optique pour flash cobra type ISO (sauf Canon) ou tout autre flash utilisant une prise synchro. Distance max. 20m Griffe ISO sauf Canon Filetage 1/4 Prise synchro PC
Déclencheur optique pour flash cobra Canon ou tout autre flash utilisant une prise synchro. Distance max. 20m Griffe Canon Filetage 1/4 Prise synchro PC
Microphone table standHeight: 17.8 cmBasic type: roundWeight 1.4 kg
Four Section3.93 to 15.09' (1200 to 4600mm)Supports 1.10 lbs (0.5kg)Rubber GripAccommodates Cable Through
600 Ws, 5600K Color Temperature0.05-0.9 Sec RecyclingFlash Duration HSS: 1/19,606 SecBuilt-In Wireless X System32 Channels, 16 GroupsOptional X Transmitter100-120 VAC1/128 to 1/1 Power Range150W Modeling Lamp
Length:60mm Width:39mm Thickness:10mm Net Weight:50g Mounting Hole:UNC1/4& UNC3/8
Diameter: 64mmHeight: 30.8mmBottom thread: UNC3/8"Mounting Screw: UNC1/4"-20Max Load: 6~8KGNet. Weight: 210g
Diameter: 64mm Height: 25.8mm Bottom thread: UNC3/8" Mounting Screw: UNC1/4"-20 Max Load: 6~8KG Net. Weight: 190g
Plate Length: 100mm Whole Lenght: 125mm Width: 39mm Thickness: 19mm Net Weight: 115g Mounting Hole: 1/4"-20 Compatible with all Arca style clamps, Really Right Stuff clamps(including its lever clamps)
Model: DMP-140R Width: 39mm Plate Length: 140mm Whole Length: 165mm Net Weight: 100g Mounting Hole: 1/4"-20 Clamp: Screw-Knob Compatible with all Arca style clamps, Really Right Stuff clamps(including its lever clamps)
Un large assortiment de softboxes peuvent être montés sur différentes marques d'unités de flash à l'aide d'un adaptateur speedring. De cette façon, vous pouvez économiser un montant considérable sur les softboxes d'origine de marque plus chère. Le diamètre extérieur est de 15,4cm. Le diamètre intérieur est de 13cm. Avec cette bague d'adaptation, vous
Un large assortiment de softboxes peuvent être montés sur différentes marques d'unités de flash à l'aide d'un adaptateur speedring. De cette façon, vous pouvez économiser un montant considérable sur les softboxes d'origine de marque plus chère. Le diamètre extérieur est de 15,4cm. Le diamètre intérieur est de 8cm. Avec cette bague d'adaptation, vous
Un large assortiment de softboxes peuvent être montés sur différentes marques d'unités de flash à l'aide d'un adaptateur speedring. De cette façon, vous pouvez économiser un montant considérable sur les softboxes d'origine de marque plus chère. Le diamètre extérieur est de 15,4cm. Le diamètre intérieur est de 6cm. Avec cette bague d'adaptation, vous